E1 Series

Throughout the 2025 season, I worked across five race weeks in five different countries. My primary focus was producing standalone VFX-led pieces designed to build hype around each race week. These were social-first moments built to amplify the atmosphere of each location and give every event its own visual identity.

Alongside that, I operated as an additional camera operator and editor, jumping in wherever needed to support broader race-week content - from capturing key moments with celebrity attendees to working closely with the race teams themselves.

The role demanded flexibility, speed, and consistency, balancing high-concept VFX work with reactive, on-the-ground coverage in constantly changing environments.